Object Stories
Experimental templates for art
I gaze directly into the artist, my mind wandering, and I cannot help but think about what is on his canvas.
{
"id": 230025,
"objectid": 230025,
"objectnumber": "1943.165",
"accessionyear": 1943,
"dated": "1872-1874",
"datebegin": 1872,
"dateend": 1874,
"classification": "Paintings",
"classificationid": 26,
"medium": "Oil on canvas",
"technique": null,
"techniqueid": null,
"period": null,
"periodid": null,
"century": "19th century",
"culture": "American",
"style": null,
"signed": "c.l. Butterfly monogram",
"state": null,
"edition": null,
"standardreferencenumber": null,
"dimensions": "193 x 101 cm (76 x 39 3/4 in.)\r\nframed: 219.7 x 127 x 8.9 cm (86 1/2 x 50 x 3 1/2 in.)",
"copyright": null,
"creditline": "Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop",
"department": "Department of American Paintings, Sculpture & Decorative Arts",
"division": "European and American Art",
"contact": "am_europeanamerican@harvard.edu",
"description": null,
"provenance": "Thomas Way, Sr., 1879, London [purchased through dealer], sold [through Sotheby's, July 25, 1916, lot 77]; to [Agnew, London], sold; to [C.W. Kraushaar Galleries, New York, 1916], sold; to Mrs. Benjamin Thaw. Mrs. C. Lewis Hind, London, sold; to John F. Braun. [Ferargil Galleries, New York, 1939], sold; to Grenville L. Winthrop, New York, NY, 1939, bequest; to Fogg Art Museum, 1943.",
"commentary": null,
"labeltext": "\r\nThis work is believed to depict Whistler’s model and companion, Maud Franklin. The subject’s hands are unfinished, and the application of paint is uncharacteristically uneven for one of the artist’s experimental \"harmonies\": the category Whistler designated for paintings in which the formal elements of color, shape, and decorative patterning are as important as the delineation of the figure. \r\n\r\nNonetheless, the composition serves as a noteworthy representation of the artist’s techniques and engagement with Japanese aesthetics—evident in the geometric patterning of the foreshortened foreground and the inclusion of such motifs as fans and blossoms. \r\n \r\n\r\n\r\n\r\n ",
"imagecount": 2,
"mediacount": 0,
"colorcount": 5,
"markscount": 1,
"peoplecount": 1,
"titlescount": 4,
"publicationcount": 26,
"exhibitioncount": 11,
"contextualtextcount": 0,
"groupcount": 1,
"relatedcount": 0,
"totalpageviews": 1389,
"totaluniquepageviews": 1172,
"dateoffirstpageview": "2009-06-30",
"dateoflastpageview": "2025-12-08",
"verificationlevel": 4,
"verificationleveldescription": "Best. Object is extensively researched, well described and information is vetted",
"imagepermissionlevel": 0,
"lendingpermissionlevel": 2,
"accesslevel": 1,
"accessionmethod": "Bequest",
"rank": 68639,
"url": "https://www.harvardartmuseums.org/collections/object/230025",
"createdate": "1997-11-01T00:00:00-05:00",
"lastupdate": "2025-12-13T04:30:42-05:00",
"colors": [
{
"color": "#4b4b32",
"spectrum": "#4ab851",
"hue": "Green",
"percent": 0.3995726495726496,
"css3": "#556b2f"
},
{
"color": "#323219",
"spectrum": "#3db657",
"hue": "Brown",
"percent": 0.25794871794871793,
"css3": "#2f4f4f"
},
{
"color": "#7d644b",
"spectrum": "#b25593",
"hue": "Yellow",
"percent": 0.1695726495726496,
"css3": "#696969"
},
{
"color": "#af967d",
"spectrum": "#c25687",
"hue": "Brown",
"percent": 0.08837606837606837,
"css3": "#bc8f8f"
},
{
"color": "#969664",
"spectrum": "#84c441",
"hue": "Green",
"percent": 0.08452991452991453,
"css3": "#808080"
}
],
"exhibitions": [
{
"begindate": "1874-01-01",
"enddate": "1874-12-31",
"citation": "<em>Mr. Whistler's Exhibition</em>, Flemish Gallery, London, 01/01/1874 - 12/31/1874",
"exhibitionid": 628,
"title": "Mr. Whistler's Exhibition"
},
{
"begindate": "1877-05-01",
"enddate": "1877-05-31",
"citation": "<em>Unidentified Exhibition, Grosvenor Gallery, 1877</em>, Grosvenor Gallery, London, 05/01/1877 - 05/31/1877",
"exhibitionid": 993,
"title": "Unidentified Exhibition, Grosvenor Gallery, 1877"
},
{
"begindate": "1910-01-01",
"enddate": "1910-12-31",
"citation": "<em>World of Fair Women</em>, International Society of Sculptors, Painters and Gravers, London, 01/01/1910 - 12/31/1910",
"exhibitionid": 1201,
"title": "World of Fair Women"
},
{
"begindate": "1930-01-01",
"enddate": "1930-12-31",
"citation": "<em>American Painting in the Braun Collection</em>, Pennsylvania Museum of Art, Philadelphia, 01/01/1930 - 12/31/1930",
"exhibitionid": 89,
"title": "American Painting in the Braun Collection"
},
{
"begindate": "1977-04-13",
"enddate": "1977-08-31",
"citation": "<em>Master Paintings from the Fogg Collection</em>, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977",
"exhibitionid": 564,
"title": "Master Paintings from the Fogg Collection"
},
{
"begindate": "1994-10-01",
"enddate": "1994-12-30",
"citation": "<em>American Art at Harvard: Cultures and Contexts</em>, Harvard University Art Museums, Cambridge, 10/01/1994 - 12/30/1994",
"exhibitionid": 77,
"title": "American Art at Harvard: Cultures and Contexts"
},
{
"begindate": "1995-07-29",
"enddate": "2001-05-13",
"citation": "<em>The Persistence of Memory: Continuity and Change in American Cultures</em>, Harvard University Art Museums, Cambridge, 07/29/1995 - 05/13/2001",
"exhibitionid": 917,
"title": "The Persistence of Memory: Continuity and Change in American Cultures"
},
{
"begindate": "2003-03-15",
"enddate": "2004-01-25",
"citation": "<em>A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University</em>, The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004",
"exhibitionid": 2672,
"title": "A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University"
},
{
"begindate": "2004-04-16",
"enddate": null,
"citation": "<em>For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop</em>, Fogg Museum, Cambridge, 04/16/2004",
"exhibitionid": 2836,
"title": "For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop"
},
{
"begindate": "2014-11-16",
"enddate": "2050-01-01",
"citation": "<em>32Q: 2710 North Arcade</em>, Harvard Art Museums, Cambridge, 11/16/2014 - 06/22/2021",
"exhibitionid": 4584,
"title": "32Q: 2710 North Arcade"
},
{
"begindate": "2014-11-16",
"enddate": "2050-01-01",
"citation": "<em>32Q: 2100 19th Century</em>, Harvard Art Museums, Cambridge, 07/24/2023 - 01/01/2050",
"exhibitionid": 4599,
"title": "32Q: 2100 19th Century"
}
],
"gallery": {
"begindate": "2023-07-24",
"gallerynumber": "2100",
"galleryid": "2100",
"displayname": "Level 2, Room 2100, European and American Art, 17th–19th century",
"name": "European and American Art, 17th–19th century",
"theme": "Centuries of Tradition, Changing Times: Art for an Uncertain Age",
"floor": "2",
"donorname": null
},
"groupings": [
{
"groupid": 2040174,
"name": "Google Art Project"
}
],
"images": [
{
"date": "2001-03-01",
"copyright": "President and Fellows of Harvard College",
"imageid": 19995,
"idsid": 17386655,
"format": "image/jpeg",
"description": "A light-skinned young woman stands facing the viewer. She has thick brown hair, dark eyes, rosy cheeks, and pink lips. She wears a floor-length white gown with sheer sleeves and a high, frilly gray-and-peach collar. The collar is circled with black lace. Black and peach lace form a blossom shape on the side of the woman’s waist, and peach material drapes over her leg. She holds an open dark gray fan. More fans are in the background to the right, and blossoms peek into the frame from the left side. The rug beneath her is decorated with light gray lines and checks.",
"technique": null,
"renditionnumber": "51376",
"displayorder": 1,
"baseimageurl": "https://nrs.harvard.edu/urn-3:HUAM:51376_dynmc",
"alttext": "Portrait of young woman in white gown",
"width": 1337,
"publiccaption": null,
"iiifbaseuri": "https://ids.lib.harvard.edu/ids/iiif/17386655",
"height": 2550
},
{
"date": null,
"copyright": "President and Fellows of Harvard College",
"imageid": 37290,
"idsid": 43182903,
"format": "image/jpeg",
"description": null,
"technique": null,
"renditionnumber": "SCAN47217",
"displayorder": 2,
"baseimageurl": "https://nrs.harvard.edu/urn-3:HUAM:47217_dynmc",
"alttext": null,
"width": 534,
"publiccaption": null,
"iiifbaseuri": "https://ids.lib.harvard.edu/ids/iiif/43182903",
"height": 1024
}
],
"primaryimageurl": "https://nrs.harvard.edu/urn-3:HUAM:51376_dynmc",
"marks": [
{
"text": "WITH CARE / \"A White Lady\" by J. M. Whistler / Belonging to the Misses Way / 21 Brunswick Sqr. / D.C.",
"type": "label"
}
],
"people": [
{
"role": "Artist",
"birthplace": "Lowell, MA",
"gender": "male",
"displaydate": "1834 - 1903",
"prefix": null,
"culture": "American",
"displayname": "James Abbott McNeill Whistler",
"alphasort": "Whistler, James Abbott McNeill",
"name": "James Abbott McNeill Whistler",
"personid": 29383,
"deathplace": "London, England",
"displayorder": 1
}
],
"places": [
{
"displayname": "North America, United States",
"confidence": null,
"placeid": 2028213,
"type": "Creation Place"
}
],
"publications": [
{
"publicationplace": null,
"volumetitle": "The Builder",
"citation": "William M. Rossetti, [Unidentified article], <em>The Builder</em> (July 9, 1874)",
"publicationyear": 1874,
"citationremarks": null,
"pagenumbers": null,
"format": "Article/Essay",
"publicationid": 6245,
"title": "[Unidentified article]",
"volumenumber": null,
"publicationdate": "July 9, 1874"
},
{
"publicationplace": "London, England",
"volumetitle": null,
"citation": "Thomas R. Way, <em>The Art of James McNeill Whistler: An Appreciation</em>, George Bell and Sons, Ltd. (London, England, 1903)",
"publicationyear": 1903,
"citationremarks": null,
"pagenumbers": "pp. 26-27, pastel study reproduction facing page 26",
"format": "Book",
"publicationid": 12465,
"title": "The Art of James McNeill Whistler: An Appreciation",
"volumenumber": null,
"publicationdate": "1903"
},
{
"publicationplace": "Philadelphia, PA and London, England",
"volumetitle": null,
"citation": "Elizabeth Robins Pennell and Joseph Pennell, <em>The Life of James McNeill Whistler</em>, J. B. Lippincott/W. Heinemann (Philadelphia, PA and London, England, 1908)",
"publicationyear": 1908,
"citationremarks": null,
"pagenumbers": "vol. I, p. 258",
"format": "Book",
"publicationid": 11584,
"title": "The Life of James McNeill Whistler",
"volumenumber": null,
"publicationdate": "1908"
},
{
"publicationplace": "London, England",
"volumetitle": null,
"citation": "<em>World of Fair Women</em>, exh. cat., International Society of Sculptors, Painters and Gravers (London, England, 1910)",
"publicationyear": 1910,
"citationremarks": null,
"pagenumbers": "no. 43",
"format": "Exhibition Catalogue",
"publicationid": 8169,
"title": "World of Fair Women",
"volumenumber": null,
"publicationdate": "1910"
},
{
"publicationplace": "New York",
"volumetitle": null,
"citation": "Thomas R. Way, <em>Memories of James McNeill Whistler, the Artist</em>, John Lane Co. (New York, 1912)",
"publicationyear": 1912,
"citationremarks": null,
"pagenumbers": "reproduced before p. 139",
"format": "Book",
"publicationid": 5142,
"title": "Memories of James McNeill Whistler, the Artist",
"volumenumber": null,
"publicationdate": "1912"
},
{
"publicationplace": "Chicago, IL",
"volumetitle": "Fine Arts Journal",
"citation": "[Unidentified article], <em>Fine Arts Journal</em> (Chicago, IL, 1917), pp. 137-39",
"publicationyear": 1917,
"citationremarks": null,
"pagenumbers": "pp. 137-139, reproduced facing p. 134",
"format": "Article/Essay",
"publicationid": 10076,
"title": "[Unidentified article]",
"volumenumber": "pp. 137-39",
"publicationdate": "1917"
},
{
"publicationplace": "Philadelphia, PA",
"volumetitle": null,
"citation": "Elizabeth Robins Pennell and Joseph Pennell, <em>The Whistler Journal</em>, J. B. Lippincott and Co. (Philadelphia, PA, 1921)",
"publicationyear": 1921,
"citationremarks": "Reproduces chalk sketch \"attributed to Whistler\"",
"pagenumbers": "p. 134-135, reproduced facing page 134, pastel reproduction facing page 135",
"format": "Book",
"publicationid": 15199,
"title": "The Whistler Journal",
"volumenumber": null,
"publicationdate": "1921"
},
{
"publicationplace": "Philadelphia, PA and London, England",
"volumetitle": null,
"citation": "Robert Henri, <em>The Art Spirit</em>, J. B. Lippincott Company (Philadelphia, PA and London, England, 1923)",
"publicationyear": 1923,
"citationremarks": "See also 1939 edition.",
"pagenumbers": "p. 275",
"format": "Book",
"publicationid": 10976,
"title": "The Art Spirit",
"volumenumber": null,
"publicationdate": "1923"
},
{
"publicationplace": null,
"volumetitle": "Arts & Decoration",
"citation": "Harvey M. Watts, \"The John F. Braun Collection of American Art\", <em>Arts & Decoration</em> (July 1926), vol. 25, pp. 46-47",
"publicationyear": 1926,
"citationremarks": null,
"pagenumbers": "reproduced p. 47",
"format": "Article/Essay",
"publicationid": 14775,
"title": "\"The John F. Braun Collection of American Art\"",
"volumenumber": "vol. 25, pp. 46-47",
"publicationdate": "July 1926"
},
{
"publicationplace": "Chicago, IL",
"volumetitle": null,
"citation": "Daniel Catton Rich, <em>Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections</em>, exh. cat., The Art Institute of Chicago (Chicago, IL, 1933)",
"publicationyear": 1933,
"citationremarks": null,
"pagenumbers": "no. 434",
"format": "Exhibition Catalogue",
"publicationid": 7866,
"title": "Catalogue of a Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections",
"volumenumber": null,
"publicationdate": "1933"
},
{
"publicationplace": "Washington, D.C",
"volumetitle": null,
"citation": "Burns A. Stubbs, <em>Paintings, Pastels, Drawings, Prints and Copper Plates by and attributed to American and European artists, together with a list of original Whistleriana in the Freer Gallery of Art</em>, Smithsonian Institution (Washington, D.C, 1948)",
"publicationyear": 1948,
"citationremarks": null,
"pagenumbers": "p. 22",
"format": "Book",
"publicationid": 11735,
"title": "Paintings, Pastels, Drawings, Prints and Copper Plates by and attributed to American and European artists, together with a list of original Whistleriana in the Freer Gallery of Art",
"volumenumber": null,
"publicationdate": "1948"
},
{
"publicationplace": "London, England",
"volumetitle": null,
"citation": "Denys Sutton, <em>Nocturne: The Art of James McNeill Whistler</em>, Phaidon Press Limited (London, England, 1963)",
"publicationyear": 1963,
"citationremarks": null,
"pagenumbers": "p. 72",
"format": "Book",
"publicationid": 6756,
"title": "Nocturne: The Art of James McNeill Whistler",
"volumenumber": null,
"publicationdate": "1963"
},
{
"publicationplace": "London, England",
"volumetitle": null,
"citation": "Denys Sutton, <em>James McNeill Whistler: Paintings, Etchings, Pastels and Watercolors</em>, Phaidon Press (London, England, 1966)",
"publicationyear": 1966,
"citationremarks": null,
"pagenumbers": "reproduced pl. 63",
"format": "Book",
"publicationid": 5005,
"title": "James McNeill Whistler: Paintings, Etchings, Pastels and Watercolors",
"volumenumber": null,
"publicationdate": "1966"
},
{
"publicationplace": "New York, NY",
"volumetitle": null,
"citation": "Stuart Preston, <em>Whistler</em>, Harry N. Abrams, Inc. (New York, NY, 1971)",
"publicationyear": 1971,
"citationremarks": null,
"pagenumbers": null,
"format": "Book",
"publicationid": 6142,
"title": "Whistler",
"volumenumber": null,
"publicationdate": "1971"
},
{
"publicationplace": "New Haven",
"volumetitle": null,
"citation": "Andrew McLaren Young and Margaret F. MacDonald, <em>The Paintings of James McNeill Whistler</em>, Yale University Press (New Haven, 1980)",
"publicationyear": 1980,
"citationremarks": null,
"pagenumbers": "vol I no. 131, p. 79; vol II, reproduced b/w plate 83",
"format": "Catalogue Raisonné",
"publicationid": 7463,
"title": "The Paintings of James McNeill Whistler",
"volumenumber": null,
"publicationdate": "1980"
},
{
"publicationplace": "New York and Washington, DC",
"volumetitle": null,
"citation": "David Park Curry, <em>James McNeill Whistler at the Freer Gallery of Art</em>, exh. cat., Freer Gallery of Art / W.W. Norton & Co. (New York and Washington, DC, 1984)",
"publicationyear": 1984,
"citationremarks": null,
"pagenumbers": "reproduced in b/w fig. 240.3, p. 255",
"format": "Exhibition Catalogue",
"publicationid": 3650,
"title": "James McNeill Whistler at the Freer Gallery of Art",
"volumenumber": null,
"publicationdate": "1984"
},
{
"publicationplace": null,
"volumetitle": "Independent Curators Inc.",
"citation": "Eleanor Heartney, \"What's Wrong with Beauty?\", <em>Independent Curators Inc.</em> (Winter 1987), vol. II, no. 1",
"publicationyear": 1987,
"citationremarks": null,
"pagenumbers": null,
"format": "Article/Essay",
"publicationid": 15761,
"title": "\"What's Wrong with Beauty?\"",
"volumenumber": "vol. II, no. 1",
"publicationdate": "Winter 1987"
},
{
"publicationplace": "Washington, D.C.",
"volumetitle": null,
"citation": "Margaret F. MacDonald, <em>James McNeill Whistler: A Reexamination</em>, ed. Ruth E. Fine, National Gallery of Art (Washington, D.C., 1987)",
"publicationyear": 1987,
"citationremarks": "See essay by Margaret F. MacDonald",
"pagenumbers": "reproduced in b/w fig. 1, p. 13; text p. 13-14",
"format": "Book",
"publicationid": 2735,
"title": "James McNeill Whistler: A Reexamination",
"volumenumber": null,
"publicationdate": "1987"
},
{
"publicationplace": "Cambridge, MA",
"volumetitle": "Harvard University Art Museums Gallery Series",
"citation": "Timothy Anglin Burgard, <em>American Art at Harvard: Cultures and Contexts</em>, brochure, Harvard University Art Museums (Cambridge, MA, 1994)",
"publicationyear": 1994,
"citationremarks": null,
"pagenumbers": "p. 12, cat. 86",
"format": "Brochure",
"publicationid": 8759,
"title": "American Art at Harvard: Cultures and Contexts",
"volumenumber": "No. 9",
"publicationdate": "1994"
},
{
"publicationplace": "Chicago, IL",
"volumetitle": null,
"citation": "Harriet K. Stratis and Martha Tedeschi, <em>The Lithographs of James McNeill Whistler</em>, The Art Institute of Chicago (Chicago, IL, 1998)",
"publicationyear": 1998,
"citationremarks": null,
"pagenumbers": "vol. 2, note 171.2, p. 154",
"format": "Catalogue Raisonné",
"publicationid": 10721,
"title": "The Lithographs of James McNeill Whistler",
"volumenumber": null,
"publicationdate": "1998"
},
{
"publicationplace": null,
"volumetitle": null,
"citation": "Jonathan Weinberg, <em>Amibition and Love in Modern American Art</em>, Yale University Press (2001)",
"publicationyear": 2001,
"citationremarks": null,
"pagenumbers": "page 26",
"format": "Book",
"publicationid": 15533,
"title": "Amibition and Love in Modern American Art",
"volumenumber": null,
"publicationdate": "2001"
},
{
"publicationplace": "Ueno",
"volumetitle": null,
"citation": "Chikashi Kitazaki and Mina Oya, ed., <em>Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum</em>, exh. cat., National Museum of Western Art (Ueno, 2002)",
"publicationyear": 2002,
"citationremarks": null,
"pagenumbers": "pp. 222-223, cat. #70, color repr.",
"format": "Exhibition Catalogue",
"publicationid": 2927,
"title": "Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum",
"volumenumber": null,
"publicationdate": "2002"
},
{
"publicationplace": "New York",
"volumetitle": null,
"citation": "Stephan Wolohojian, ed., <em>A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University</em>, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003)",
"publicationyear": 2003,
"citationremarks": null,
"pagenumbers": "pp. 468-69, cat. 213, ill.",
"format": "Exhibition Catalogue",
"publicationid": 11473,
"title": "A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University",
"volumenumber": null,
"publicationdate": "2003"
},
{
"publicationplace": "Paris, France",
"volumetitle": null,
"citation": "Stephan Wolohojian, <em>Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop</em>, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003)",
"publicationyear": 2003,
"citationremarks": null,
"pagenumbers": "pp. 484-85, cat. 213, ill.",
"format": "Exhibition Catalogue",
"publicationid": 4815,
"title": "Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop",
"volumenumber": null,
"publicationdate": "2003"
},
{
"publicationplace": "Cambridge, MA and New Haven, CT",
"volumetitle": null,
"citation": "Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., <em>American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856</em>, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008)",
"publicationyear": 2008,
"citationremarks": null,
"pagenumbers": "p. 405-08, cat. no. 435, reproduced in color, p. 407",
"format": "Book",
"publicationid": 16948,
"title": "American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856",
"volumenumber": null,
"publicationdate": "2008"
},
{
"publicationplace": "New York",
"volumetitle": null,
"citation": "Betsy Fahlman, <em>Kraushaar Galleries: Celebrating 125 Years</em>, Kraushaar Galleries (New York, 2010)",
"publicationyear": 2010,
"citationremarks": null,
"pagenumbers": "detail, p. 6; ill., p. 9",
"format": "Book",
"publicationid": 18292,
"title": "Kraushaar Galleries: Celebrating 125 Years",
"volumenumber": null,
"publicationdate": "2010"
}
],
"terms": {
"century": [
{
"name": "19th century",
"id": 37525806
}
],
"culture": [
{
"name": "American",
"id": 37526778
}
],
"medium": [
{
"name": "Oil",
"id": 2028177
}
],
"place": [
{
"name": "North America",
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